Channel Receiver Trigger
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 PHOTO LIGHT STUDIO STROBE BACKDROP SUPPORT Steve Kaeser Photographic Lighting  US $389.95
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 Yongnuo CTR 301 P Wireless Flash Trigger for Canon 1100D 1000D 600D 550D 500D US $.99
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 Yongnuo CTR 301 P Wireless Flash Trigger for Canon 450D 400D 350D 300D US $.99
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 Yongnuo CTR 301 P Wireless Flash Trigger for Canon 5D 5DII 50D 40D 30D 20D 10D US $.99
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 Yongnuo CTR 301 P Wireless Flash Trigger for Canon Nikon Pentax Olympus DSLR US $.99
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 Yongnuo CTR 301 P Wireless Flash Trigger for Nikon D700 D300 D200 D3 D3X D2H US $.99
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 Yongnuo CTR 301 P Wireless Flash Trigger for Nikon D7000 D5100 D5000 D3100 D3000 US $.99
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 Yongnuo CTR 301 P Wireless Flash Trigger for Nikon D90 D80 D70 D70s US $.99
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 700W Studio Strobes Flash Lighting Kit Fan Cooled Light Set US $350.00
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 1260W LIGHTING FLASH STROBE STUDIO KIT 4x LIGHT CARRY CASE US $540.00
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 Wireless Radio Trigger 4 Channel Slave Strobe Flash Photography Studio Lighting US $24.95
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 RF 602 Wireless Flash Trigger 3 X Receiver For Canon C3 US $70.00
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 860W STUDIO STROBE FLASH LIGHTING MONOLIGHT KIT CARRY CASE US $405.00
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 Portrait Studio Kit Square Perfect SP3500 Complete w Flashes Softboxes More US $274.95
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 750W STUDIO Flash Lighting PHOTOGRAPHY STROBE LIGHT KIT US $284.44
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 Pixel TF373 Wireless Flash Trigger f Sony with 3 Receiver FlashGun studio light US $124.99
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 PIXEL 24G Wireless Flashgun Canon E TTL II Trigger Transmitter Receiver Set US $6.00
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 2 Pcs Universal 4 Channel Studio Flash Trigger Receiver w 35mm Adapter US $21.06
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 2 Pcs AC 04A 4 Channel Remote Control Wireless Studio Flash Trigger US $20.97
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 AC 04A 635mm Plug Remote Wireless Studio Flash Trigger Receiver Pair US $20.96
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 930W Strobe Studio Flash Light Kit Lighting Carry Case US $430.00
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 1200W STROBE STUDIO FLASH LIGHTING KIT 300W X 4 LIGHT PHOTOGRAPHY SET US $520.00
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 Wireless Flash Trigger FT01 for Canon EOS 7D 5D Mark II 50D 1Ds Series US $35.99
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 Radio Wireless Remote Control Hot Shoe Trigger PT 04 for Canon CameraFlash——3RX US $34.99
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 PocketWizard MiniTT1 Radio Slave Transmitter Nikon NEW US $199.00
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 Sekonic RT 32 Digital Radio Transmitter Module NEW US $85.97
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 Radio Wireless Remote Control Hot Shoe Trigger PT 04 for Nikon CameraFlash——1RX US $14.99
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 Studio Strobe Flash 16 Channel Wireless Trigger 2 Receiver US $26.99
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 Studio Strobe Flash 16 Channel Wireless Trigger 4 Receiver US $45.00
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 30m Radio Wireless Flash Trigger PT 04 f Nikon SB910 SB900 SB700 SB600 SB80DX—2R US $24.99
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 Yongnuo RF 603 24GHz Radio Wireless Remote Flash Trigger RF603 C3 for CANON US $31.99
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 Yongnuo RF 603 24GHz Radio Wireless Remote Flash Trigger RF603 N1 for Nikon US $31.99
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 360W Studio Flash Light Kit For Nikon D60 D40X D80 D90 US $258.00
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 30m Radio Wireless Flash Trigger PT 04 f Canon Nikon Pentax CameraSpeedlite—5RX US $49.99
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 30m Radio Wireless Flash Trigger PT 04 f Nikon SB910 SB900 SB700 SB600 SB80DX—4R US $44.99
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 800W STROBE STUDIO FLASH LIGHT KIT LIGHTING PHOTOGRAPHY US $380.00
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 900W STROBE STUDIO FLASH LIGHT KIT LIGHTING SET 3x 300W FAN COOLED NEW US $410.00
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 80m—Wireless Radio Flash TriggerRemote Control for Canon Camera EOS 450D 400D US $44.99
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 80m Wireless Radio Flash Triggers Receiver for Canon 600EX RT 580EX 430EXII US $24.99
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 900W STUDIO STROBE FLASH LIGHT KIT TRIGGER CARRY CASE US $390.00
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CowboyStudio NPT-04 4 Channel Wireless Trigger for External Speelights with 1 Trigger and 2 Receivers (NPT-04+extra receiver) List Price: $32.00 Sale Price: $28.99 Used From: $26.08  |
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This set is designed for photographic studio and on-location work to trigger various flash lights. The transmitter is attached on the hot shoe of the camera while the receiver is plugged into the studio flash... |
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Cowboystudio 4-Channel Radio Remote Trigger with 2 Receivers for Studio Strobe List Price: $32.00 Sale Price: $32.00 Used From: $29.72 |
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Cowboystudio 4-Channel Radio Remote Trigger with 2 Receivers for Studio Strobe |
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CowboyStudio NPT-04, 4 Channel Wireless Hot Shoe Flash Trigger Receiver List Price: $22.45 Sale Price: $15.00 Used From: $20.86 |
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CowboyStudio Digital Radio Strobe Trigger for Canon EOS, Nikon, Olympus & Pentax Flashes includes One (1) FM Radio Transmitter, One (1) FM Radio Receiver, One (1) On/Off Switch and LED Trigger Indicator Light, One (1) Sync Cable, One (1) User Manual |
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Cheaplights NPT-04 4 Channel Wireless Hot Shoe Flash Trigger and 2 Receivers Set for Canon Nikon Pentax List Price: $39.99 Sale Price: $27.99 |
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Transmitter Power Source: 23A/12V * Receiver Power Source: AAA Alkaline battery (not included) * Operation Distance: About 30ft * Sync Speed: 1/500sec * Frequency?433MHZ * Size: 55 x 61 x 43mm / 2.2 x 2... |
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4 Channel Wireless Hot Shoe Flash Remote Trigger Receiver for Nikon SpeedLite, Canon SpeedLite, Olympus, Pentax, Sigma, Sunpak, Vivitar & Other Flashes List Price: $26.99 Sale Price: $16.99 |
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Brand non OEM product.4 channels to avoid interference.The receiver has an on/off switch, and an LED to indicate triggering.Wireless Flash Trigger Fires A Flash From Any Camera With Hot Shoe Or PC Outlet... |
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Cowboystudio NPT-04 4 Channel Wireless Hot Shoe Flash Receiver for Canon EOS, Nikon, Olympus & Pentax Flashes Other products List Price: $16.00 Sale Price: $13.22 Used From: $10.22 |
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Cowboystudio NPT-04 4 Channel Wireless Hot Shoe Flash Receiver for Canon EOS, Nikon, Olympus & Pentax Flashes includes One (1) NPT-04 Wireless Receiver, One (1) On/Off Switch, One (1) LED Light to Indicate Triggering, One (1) Standard 1/4" Screw Mount |
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StudioHut PT-04 4 channel Wireless Radio Hot Shoe Slave Flash Trigger Receiver for Canon EOS, Nikon, Olympus & Pentax Flashes Sale Price: $20.50 Used From: $19.79 |
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This 4 channel Wireless Hot Shoe Slave Flash Trigger is a great way to add versatility to outdoor or indoor photography shooting. 4 channel DIP selection allows the capability to work in a multi-studio environment... |
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Wireless STUDIO Flash TRIGGER RT-16 with 3 RECEIVERS 16-Channel Sale Price: $20.53 |
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Features: *This wireless trigger is control discreteness for camera to trigger hot shoe flashgun synchronously *Easy installation, low power consumption *No any damage to camera *High-speed and synchronous for 1/200 second *Max... |
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NEEWER® UNPT-04 4 Channel Wireless Hot Shoe Flash Trigger Receiver Set Sale Price: $12.73 |
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4 Channel Wireless Hot Shoe Flash Trigger Receiver Set This is a wireless trigger set that is designed for photographic studio and on-location work to trigger various flash lights. The transmitter can synchronously trigger off-camera flashes that are mounted on the receiver using wireless signals... |
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Wireless Trigger with 4 Receivers for FlashGun 4-Channel for Olympus, Nikon, Canon, Pentax Sale Price: $25.95 |
Present Your Self and Business Powerfully
Analog television is no more! Stations are now digital broadcasters. If you have an analog television you can no longer receive programming without a digital converter box, changing your television, or ordering a paid programming service. Most of you reading this are of an age where you probably had no analog television to begin with! Yet, you understand that you cannot communicate on a digital channel with an analog signal. You must communicate using the same channel—the same send-and-receive technology—whether you are electronic devices or human beings.
Electronic devices communicate using specific communications protocols. The sending (transmitting) device must use the same communications protocol as the receiving (listening) device in order for messages to get through and be interpreted correctly. (And that is as detailed as I get with technology in this column.) People also use communications protocols. The message sender (you) must use the same communications protocol (language) as that which I use in order for me to receive and interpret your messages correctly. Language, however, is more complicated than electronic protocols. Many variables come into play when it comes to "speaking the same language".
The language to which I refer in this article involves the way we use our senses to process messages. Our senses are our communications channels. Each of us has our own primary channel through which we best receive and internalize messages. In various contexts these channels are referred to as learning styles, sensory receptors, neurolinguistic programming, or multiple intelligences. To communicate more clearly, determine the primary channel – visual (sight; eyes), auditory (sound; ears), or kinesthetic (touch; motion) – through which your message receiver processes messages. You can then transmit your message on that same channel to ensure the best reception.
One of the ways in which to learn the primary communications channel a person uses to communicate effectively is through assessment instruments. These instruments ask questions about or make statements regarding how a person best communicates. The assessment-taker responds based on his or her preferences. A scoring system presents a "grade" that provides a reference for people to have a basis for understanding each other's communications channels. Do an Internet search on "communication style assessments" and the result is over 553,000 entries linking to scientifically-based and pop psychology-based, fee-required and free assessments available to you. Consider this, though: How many times in the course of a normal day do you ask someone what their communication style may be before you talk or write to them? If you are like most of us…seldom if ever. So how do you figure out what another person's best communications channel is in order to transmit to them using their signals?
Listen to how THEY communicate! The words and gestures they use give you a good indication of their primary communication style and how best to communicate with them. Each of us responds best to certain types of words because these words "reach" the sensory receptor to which we best respond. Typically, when a person is primarily a visual communicator she thinks in pictures and "visual words" such as "see, appear, look, and inspect". She uses visual words throughout her speech. When you hear them used frequently you can deduce she is a primarily-visual communicator. She interprets the written word better than the spoken word. Writing things down and sketching concepts ensures you effectively communicate with this person most often. An auditory person best communicates using "sound words" such as "hear, state, talk, and speak". Repeat or rephrase your message verbally in order to effectively communicate with this person. He retains the spoken better than the written word. Someone who is kinesthetic best communicates using "feeling and texture words" such as "feel, grasp, and touch". He retains information best through active hands-on-experiences and sensory triggers that involve taste and smell.
As with any categorization or generalization involving people, communication channels are seldom "either / or" in any one person. We use all of our senses when we communicate and receive messages in all of these ways at one point in time or another. The signals we provide in the words we use represent our primary communications channels rather than our only channels. Listen for the types of words a person uses the most and those words indicate the most-effective means by which that person receives, translates (interprets), and retains (understands) what it is you have to communicate.
The best way to communicate is to use a little of each type of wording to be sure you reach as many senses as possible. For example: an interviewer asks you to tell her how you handled a time when you were disappointed at an outcome. You lean forward and describe the following scenario. "Imagine a busy classroom environment with a cacophony of voices providing a continuous background of noise. Your body is tense with anticipation of the news; people shift around in their seats unable to sit still; a cell phone buzzes as it vibrates, jolting everyone's attention to one area of the room. Suddenly someone moans in despair, ‘I just received the a message that I didn't make the team!' I realized–too late–that that someone was me. And this is how I handled the disappointment." This scenario connects with the listener on many levels. Saying "imagine" means they must do so. You paint a picture of the scene (visual), describe sounds (auditory), and evoke feelings (kinesthetic). Continue with a story of how you handled the disappointment and you hold the interviewer captivated on multiple levels.
Take the time to tune into other people's channels and you can adjust how you communicate messages to best ensure they are heard and understood. Employ aspects of multiple channels for your most effective means of communicating.
Reference: Additional words to consider using for each channel:
Visual – analyze, clear, demonstrate, distinguish, examine, focus, horizon, illustrate, observe, outlook, perceive, perspective, picture, pinpoint, reveal, see, show, notice, view, vague, watch.
Auditory – alarm, announce, articulate, ask, audible, compose, converse, discuss, earshot, enunciate, inquire, interview, listen, loud, mention, noise, pronounce, remark, report, ring, say, scream, shout, silence, sound, speechless, tell, tone, tune, voice.
Kinesthetic – active, carry, concrete, emotional, feel, foundation, grasp, heated, hit, hold, impact, impress, irritate, motion, panic, pressure, rush, sensitive, shallow, sharpen, shock, solid, stress, support, tension, tired, touch, unbearable.
About the Author
Sylvia helps people SHOW they're as great as they SAY they are. She works with individuals and organizations (businesses, associations, non-profits, educational, and government) to make their "people image" (interpersonal skills) match - or exceed - their organizational image for greater profit, more clients, and a higher degree of personal and professional success. She trains, facilitates workshops, speaks, and produces educational tools supporting her topics. Sylvia also hosts a Montgomery County cable TV program focusing on business & professional development called Think About It, on MMC-TV channel 16 (ThinkAboutIt.TV for air times). Sign up for monthly content and bring Sylvia to your organization at SylviaHenderson.com. Blog: blog.successlanguage.com. Twitter: @SuccessLanguage.
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